The University of Massachusetts Amherst has been awarded a $2.65 million grant from the
Mellon Foundation to expand the Slavery North Initiative, led by founding director
Charmaine A. Nelson, provost professor of art history.
Slavery North is a one-of-a-kind academic and cultural destination where scholars,
thinkers and artists research and build community that transforms society’s understanding
of the neglected histories of trans-Atlantic slavery in Canada and the U.S. North.
This is the largest Mellon grant awarded to UMass Amherst to date. The three-year grant
will support the development of Slavery North’s fellowship program for graduate and
undergraduate students, a three-person staff, a lecture series, Black History Month panels,
an academic conference, an edited academic book, a podcast series, workshops, art and
cultural exhibitions, and a historical database that houses primary sources for the study of
slavery in Canada and the U.S. North.
“A fellows program is at the heart of this grant so that we can grow this field of research.
Since there are not many scholars studying slavery in the U.S. North and Canada, the
ability to grow the field is limited,” Nelson says. “Mellon’s generous support will provide
fellows with the space, time and a like-minded community in which to develop their own
research and the field at a more rapid pace.”
While most fellowship categories will have no citizenship restrictions, undergraduate
fellowships will be offered exclusively to UMass Amherst and other honours students in
the Five College Consortium. Slavery North will also offer fellowships to visiting scholars
and artists working on research or research creation in its mandate areas.
The expected yearly cohort will consist of four undergraduate honours students and two
artists-in-residence per year, and one fellow in each of the following categories: MA, Ph.D.
and Visiting Research Fellow. Fellows will work together in Slavery North’s recently
developed offices at the Newman Center on North Pleasant Street in Amherst.
A prominent scholar, art historian, educator, author and the first-ever tenured Black
professor of art history in Canada, Nelson says the work of Slavery North sits at the axes
of three significant academic blind spots of trans-Atlantic slavery studies: temperate
climate regions where the enslaved became the minority of the population, Canada’s often
forgotten 200-year history of slavery and art history, which Nelson explains has been one
of the last disciplines to grapple with the impacts of colonialism, imperialism and slavery
on art and cultural production, representation and consumption.
Launched in 2020, Slavery North promotes racial inclusion, belonging, understanding and
allyship that improve people’s lives through research and education, cultural activities,
artistic production and critical conversation around difficult issues and histories. It aims to
bolster public understanding of the social and cultural impacts of trans-Atlantic slavery and
its legacies, including how that history manifests in anti-Black racism today.
“If you transform people’s understanding of slavery, you allow them to understand the
roots of anti-Black racism that are 500-600 years old. This problem really began in the
1400s, and that’s where the stereotypes of Blackness we see today originate,” says Nelson.
“All of these dimensions of anti-Black racism today – the Black maternal health crisis, for
example, or that we get stopped more if we’re driving a nice car, or we get asked for an ID
when paying for luxury goods – goes back to the hyper surveillance and the brutalization
of our ancestors in the period of slavery. For me, the work of Slavery North is teaching
people about slavery in these specific regions, making this field more accessible to
scholars doing the work and asking the question: ‘Which countries and regions have been
allowed to forget their participation in slavery?’”
To move the needle on public understanding of this research, Nelson says it’s important
that the arts are a part of the conversation.
“Most slavery studies scholars are historians, but an art historian brings an interesting
perspective. European empires did not merely create archives of documents, they created a
400-year archive of art and visual culture, much of which was strategically used to justify
slavery and reify Eurocentric ideals of race. Therefore, western art has largely been about
the representation of human beings within racial hierarchies,” says Nelson. “It is crucial
that knowledge of these shared histories reach the general public. But since most people do
not learn about slavery by reading academic publications but through art and media, such
as film, what will transform public understanding is the work of filmmakers, playwrights,
painters and performance artists. That, to me, is a huge component of this work.”
The Mellon grant will also help Slavery North ensure historical research documents – such
as newspaper ads or bills of sale for enslaved people – are more accessible to scholars
around the world. UMass undergraduate student research assistants will work to locate and
digitize trans-Atlantic slavery research materials and input the data into the historical
archive. Summer training workshops for librarians and archivists will help unify how
important historical documents across collections are tracked, catalogued, stored, archived
and digitized.
Born in Toronto to Jamaican immigrant parents, Nelson went on to complete her Ph.D. in
art history at The University of Manchester in 2001. She taught at the University of
Western Ontario (2001-03) and McGill University (2003-20). She then went on to found
the Institute for the Study of Canadian Slavery at NSCAD University in Halifax, Nova
Scotia, when she was the Tier I Canada Research Chair in Transatlantic Black Diasporic
Art and Community Engagement from 2020-22.
When she joined the University of Massachusetts Amherst in 2022, Nelson brought the
institute with her and reimagined it as Slavery North to combine a focus on slavery in
Canada and the U.S. North with a dedicated focus on art and visual culture. As Nelson
recalls, “This was an easy decision because both of these regions have historically sought
to erase their participation in trans-Atlantic slavery.”
Slavery North gained official initiative status at UMass in 2022, the first step toward
becoming an institute.
With a newly developed physical space at the Newman Center, support from partners like
Historic Deerfield and the grant supporting three staff members alongside cohorts of
fellows, Slavery North will grow rapidly over the next three years.
“I am deeply grateful to Mellon Foundation for this extraordinary support and show of
confidence which will allow us to undertake this transformative work,” says Nelson.
The larger vision for Slavery North and the Mellon-funded programs, as expressed in the
grant, is to foster “redress, atonement and reconciliation” and “be a conduit through which
to confront and heal these traumatic histories. It is an academic initiative with a social
justice mission.”
